Afterward, he's temporarily exiled by his friends, but he maintains the rightness of his decision without apology. For instance, when Dill sneaks into Scout's bedroom after running away from home, Jem can only say, "'You oughta let your mother know where you are'" and makes the difficult decision to involve Atticus. As he grows older, he begins to do what is right even though his decision may not be popular. He idolizes Atticus and would rather risk personal injury than disappoint his father. His own sister finds Jem a genuinely likeable boy, if sometimes capable of "maddening superiority." He very much wants to be like his father, and plans to follow him into law. And along the way, he grows from a boy who drags his sister along as a co-conspirator to a young gentleman who protects his Scout and tries to help her understand the implications of the events around her. Dubose's fight with addiction, and from Scout's confrontation with the mob at the jail, among others. When the story begins, Jem's idea of bravery is simply touching the side of the Radley house and then only because "In all his life, Jem had never declined a dare." But as the story progresses, Jem learns about bravery from Atticus facing a mad dog, from Mrs. The shift that occurs probably has as much to do with age as experience, although the experiences provide a better framework for the reader. Jem represents the idea of bravery in the novel, and the way that his definition changes over the course of the story is important. Interestingly, the changes he undergoes are seen from the point-of-view of a younger sister, which gives a unique perspective on his growth. Jem ages from 10 to 13 over the course of To Kill a Mockingbird, a period of great change in any child's life. Full Glossary for To Kill a Mockingbird.Famous Quotes from To Kill a Mockingbird.Comparing To Kill a Mockingbird to Its Movie Version.Racial Relations in the Southern United States.Aunt Alexandra and Miss Maudie Atkinson.
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There is a strong volunteer movement for conservation in Australia through Landcare and other networks. Extra insulation by using blankets or towels Greening Australia completed the 1 Billion Tree target and has gone on to become one of the major tree planting organizations in the country. Desert greening projects are also motivated by improved biodiversity and reclamation of natural water systems, but also improved the economy and social welfare due ko’juhe Federal Government in 1982. Protect your tree with potting or regular soilīecause trees remove carbon dioxide from the air as they grow, tree planting can be used as a geoengineering technique to remove CO2 from the atmosphere. It differs from the transplantation of larger trees in arboriculture, and from the lower cost but slower and less reliable distribution of tree seeds. Tree-planting is the process of transplanting tree seedlings, generally for forestry, land reclamation, or landscaping purpose. HappyGrow Growing System – Never Re-Pot Your TreeĬitrus Tree Care Avoid sub-zero temperatures.If you plan on having leftovers, I recommend keeping the avocado separate so it doesn’t turn brown when stored. I completely forgot to add his when I was taking the final photographs, but some toasted pumpkin seeds or nuts is perfect for adding some extra crunch! For garnish, add a few torn mint leaves and a hand full of crumbled feta. Add the avocado and drizzle the vinaigrette over top. When you’re ready to serve the roasted beet salad, place the beets and citrus in a circular pattern so they overlap slightly. Lastly, slice the beets and cut open a ripe avocado. This is a little time consuming, but it’s quite beautiful! You could also peel the citrus fruits first and then slice, but I find this method to be a bit messy. When the beets have cooled and you’re ready to assemble the salad, slice a couple oranges into rounds and use a sharp knife to remove the skin. Set that aside while you prepare the other ingredients. I like to place all my dressing ingredients in a jar and shake to combine. A minced shallot also adds flavor and texture. This is super simple, just some olive oil, sherry vinegar, honey and bit of freshly squeezed orange juice and grated zest. While the beets are roasting, make the vinaigrette. The best part about this method is once they cool off, you can run them under some cold water and easily slide the skin off with your hands. This may take more or less time depending on the size of your beets-mine were pretty large. I cover the top with a lid (you could also use foil) and roast them for about 1 hour or until easily pierced with a sharp knife. To make things easy, I place all of my scrubbed and trimmed beets in a large baking dish and fill it with about an inch of water. Delicious, super healthy and easily made vegan! How to Make Roasted Beet Salad with Avocado and Citrus This Roasted Beet Salad with Avocado and Citrus is the perfect winter side dish! With sweet oven baked beets, sliced orange, grapefruit, fresh mint and a tangy citrus vinaigrette. At one point I made myself so small I just kind of floated away. One puzzle plays with size, where you can change the size of two linked doorways, which changes your size when you got through them. I was consistently impressed with Superliminal’s performance, given some of the insane things it lets the player do. Fortunately the checkpoint system is generous, so this kind of experimentation is usually more fun than frustrating. There were a few times I did things that were not intended-for example, you can sometimes pull objects through certain “no object” doorways by setting them down and then picking them up “through” the door-and had to entirely reset the checkpoint to return everything to normal. Superliminal’s mind-bending mechanics are also prone to breaking the game. It’s kind of an obnoxious red herring with no hints that it’s not part of the solution. While there are a few of the game’s secrete collectibles in this room, it turns out the area isn’t intended to be any sort of puzzle solution, which ground my progress at that point to a halt. The console version of the game does have one particular “secret” area now added that actually breaks the flow of the game and led to me needing to look up a guide. I learned never to get too comfortable with what I thought was happening, because it was apt to change briefly anyway. Object resizing is kind of the throughline that connects everything, but there’s… a lot more going on here. It’s about every gleeful “son of a bitch” and “what the fuck” I murmured as Superliminal used the power of video games to do what seems so insanely impossible. Where yet another mechanical twist shifts your already shifted perceptions, keeping you on your toes throughout. It’s about that moment where it clicks into place. It’s puzzles are never so tricky that they seem unfair. Superliminal’s goal is to make you the player feel smart and clever. “Perception is….”Įven in these early stages, there was always a joy in figuring out the puzzle solutions. But pretty soon, you’ll break beyond the boundaries-both figuratively and literally-and fall ever deeper into this dream state where anything is possible. A tiny wedge of cheese becomes an enormous ramp. A large object becomes small enough to pull through a tiny gap. The earliest puzzles are about shifting the size of objects based on how you see them. These tests serve as the building blocks for understanding how Superliminal wants you to think, literally and figuratively altering your perspective in order to solve a number of puzzles. A disembodied and mildly sinister AI voice, very obviously emulating Portal’s GLaDOS, begins guiding you through a series of preliminary tests. Sometimes it’s about sheer execution of concept, and Superliminal thinks outside the box before diving back into the box, and then cloning the box within the box and thinking outside of both of them while firmly within a third you didn’t even realize exists. Not that one needs precision controls in a game like this, but it did make jumping on objects and reaching ledges sometimes more of a hassle than it should have been. My first reaction on loading it up was that it looked and felt a bit “budget.” The visuals are exceptionally simplistic, the controls a bit floaty and imprecise. Cue the console release, where Superliminal’s mind-bending, perception-altering puzzler finally comes to the living room. But being a console gamer, I didn’t bother looking into it much further. At the time, I remember seeing intriguing videos of the game’s signature “size is perspective” mechanic, where players resized objects based on their perspective. Superliminal first released for PC back in November 2019. It is as much within those categorical boxes as it is without. A puzzle game that is about the adventure more than the puzzles, about how the player comes to the solutions more than the solutions themselves, Superliminal exists somewhere between Portal, The Witness, and an MC Escher painting, and yet is wholly unbound to being defined by those limitations. Superliminal is never quite what you think it is, and in that, it’s always exactly what it’s trying to be. Every time I think I’ve got Superliminal pegged, every time I think I’ve figured it out, it takes another left turn and defies my expectations. A smile creeps over my face and I shake my head, grinning. “Son of a bitch…” I mutter too loudly under my breath for the 20th time. Andy tells the camera that seeing Erin and Pete unhappy has made him feel better. After giving Pete and Erin time to appreciate how uncomfortable this is, he holds a meeting with them and their ex-lovers, leading the two couples to argue with each other. To refute this claim, Andy hires both Pete's ex-girlfriend Alice ( Collette Wolfe) and Erin's ex-boyfriend Gabe Lewis ( Zach Woods). Erin and Pete then both lecture Andy about moving on, claiming that working alongside one's ex-lover does not have to be awkward. Though Andy doesn't figure this out at first, having called Pete "Plop" for so long he forgot his name, he realizes the truth upon finding a lunch bag with his name on it.Īndy attempts to fire Pete, but Toby Flenderson ( Paul Lieberstein) points out that he cannot do this since Pete and Erin already disclosed their relationship and that he can’t fire people simply over grudges. Andy learns that Erin Hannon ( Ellie Kemper) is dating Pete Miller ( Jake Lacy), which they have been holding in secrecy from him in order to make his breakup with Erin easier. David later tells Andy that he will not fire him, thanking him for helping him buy the company, but warns Andy that he is on very thin ice. The episode ranked third in its timeslot, and it was the highest-rated NBC series of the night.ĭavid Wallace ( Andy Buckley) scolds Andy Bernard ( Ed Helms) for lying about his three-month absence from the office. The episode was viewed by 4.06 million viewers and received a 2/6 percent rating among adults between the ages of 18 and 49. The episode received largely positive reviews, although many were critical of the episode's extended length, which they argued felt padded. On February 8, 2013, NBC announced that the episode would be expanded to fill a one-hour television block, although it still counts as one official episode. Meanwhile, Andy Bernard ( Ed Helms) attempts to make Pete Miller ( Jake Lacy) and Erin Hannon ( Ellie Kemper) feel uncomfortable by hiring their ex-lovers. Dwight Schrute ( Rainn Wilson) recruits Angela Martin ( Angela Kinsey) to help give his elderly aunt (Gillis) a bath. In this episode, Pam Halpert ( Jenna Fischer) interviews for a job in Philadelphia, but her potential manager (Odenkirk) reminds her of her former boss, Michael Scott. The series- presented as if it were a real documentary-depicts the everyday lives of office employees in the Scranton, Pennsylvania, branch of the fictional Dunder Mifflin Paper Company. The episode also features the return of former series regular Zach Woods as Gabe Lewis. The episode guest stars Bob Odenkirk, Mary Gillis, Collette Wolfe, and Andy Buckley. It originally aired on NBC on February 14, 2013. The episode was written by Graham Wagner and directed by Jon Favreau. " Moving On" is the sixteenth episode of the ninth season of the American comedy television series The Office and the 192nd episode overall. 16th episode of the 9th season of The Office " Moving On" Weddings are always complimentary and black tie is extremely optional.
Students will also select two independent readings Purchase hard copies of regular required reading, theĪP Language & Composition Required Novels Links to all required readings are included in theĬourse content. īlueJ, a Java IDE application and Java SDK available as Amazon Objects First with Java: A Practical Introduction UsingīlueJ, 6th Edition. system.ĪP Environmental Science NO TEXT REQUIRED has the latest operatingĪP Calculus students will need a TI-Nspire, TI 83/84. Textbook, use the link to Cengage on the right. If schools wantĪP Calculus AB to purchase the hard copy of the Calculus for AP® Please ensure the calculator Cengage Virtual Arkansas will provide students with the online ISBN 978-1-2 ĪP Biology Optional textbook resource - AP Biology, Campbell Fees apply. Mastering Biology Custom eBook Order via FLVS Global Storefront. History, 4th Edition version is acceptable Gardner’s Art through the Ages: A Concise Global Cengage – digital or print If yo u h a ve q u es ti o n s, p le ase c a l l 501.477.2781 11Ģ020 – 2021 CORE REQUIRED TEXTBOOKS AND RESOURCES TRANSPORTATION, DISTRIBUTION, AND LOGISTICS. LAW, PUBLIC SAFETY, CORRECTIONS AND SECURITY. 6ĪRTS, A/V, TECHNOLOGY and COMMUNICATIONS. 5ĪGRICULTURE, FOOD AND NATURAL RESOURCES. 3ĮNGLISH LANGUAGE ARTS (Please order the novels prior to classes beginning.). Periods, listen to podcasts, video modules, and to complete listening/speaking assessments.ĪDVANCED PLACEMENT. Each course syllabus will list the specific web programs required and teachers will assist students inĮach student will need a networked computer, a headset with a microphone and a webcam to participate in the scheduled interactive class Licenses for students to access the sites. For those sites that require a license, Virtual Arkansas has purchased the student Your technologyĭepartment will need to whitelist these sites for student access. Each course will have a “white-list” for the online sites for each course. Many classes will require access to online programs. Series so that the facilitators and students have the required book, and if required, the workbook and materials. Schools may contact the Educator’s Book Depository at 501.490.0007 to order the course materials for the students. Individual school must make this decision. Outside of the school day to access the content or if the content can be downloaded and saved on an eReader, iPad or laptop computer. If purchasing the eBook/eText Editions, please ensure that students have internet access Many textbooks are available with an eBook Edition. If you have questions concerning a textbook, contact the appropriate Campus Director.Ĭore Campus – Jason Bohler - 501.477.2781Ĭoncurrent Credit Campus - Lora Hicks - 870.367.4848 or 870.367.4884 If you DO NOT see the course listed, then theĬourse DOES NOT REQUIRE a textbook. Please contact the campus supervisor if you have a question concerning textbooks. 2020 – 2021 VIRTUAL ARKANSAS REQUIRED TEXTBOOKS AND RESOURCES Make sure you use code morganblvd for 15% off your order. We have 0-6 months size in these and they worked great until our babies hit 16 pounds. The have a dual zipper, which means that you can zip it from the top or bottom. Zen Sack Classic is perfect for year-round comfort. Can be worn backwards by tummy sleepers who can roll independently. They are weighted on the front, but not the back. 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The rooms housed within the porticos of the palaistra reveal the functions that a gymnasion provided its patrons. Instead of performing on the parallel bars or ‘pumping iron’ on free weights in figure-hugging lycra, the patrons would be seen practising running, long jump, javelin, discus, wrestling and pankration, naked but oiled, covered with a coating of protective dust and with their genitals tied in place by a leather thong know as a kynodesme (literally a ‘dog leash’ a penis was a ‘dog’ in ancient Greek slang). The only major constructions would have been the palaistra, a large courtyard enclosed by porticos, and the xystoi, the covered running tracks for use in bad weather. In contrast, the visitor to a Greek gymnasion would have found something more akin to an open-air athletics field set within extensive parklands, devoid of any fixed equipment, though with the addition of altars and shrines. A visitor to a gym built between the closing decades of the 19th century and the present day would expect to walk into an indoor hall filled with equipment. To this we can add a third: therapeutic training, because the ancient Greeks, too, understood the value of exercise in maintaining health and curing disease. Training for sporting competition (which would now be classed as complementary or assistance exercise) and for the narcissistic pursuit of the body beautiful (aesthetic training) are two functions shared by the ancient and modern institutions. To cite one sculptural example, the western section of the Parthenon frieze (most of which is now in the British Museum) shows athletic young cavalrymen, naked except for a himation rakishly carried over one arm or thrown back over the shoulders, preparing to ride out in the Greater Panathenaic pompe. It was a common sight, too, during religious festivals. It was obligatory during local and Pan-Hellenic competitions, such as the Panathenaic and Olympic Games and while training at the gymnasium. And for good reason: male nudity was no mere artistic convention in classical Athens, as it would be in neoclassical London, Paris or Berlin. Like today’s gym members, freeborn Athenian men and boys went to the city’s public gymnasia to perform aesthetic training, that is, exercises that enabled them to achieve or maintain the bodily ideal that was visibly glorified in the city’s public art. It is not just etymology that links the ancient gymnasion with its modern successor. Freeborn male citizens and their sons would have trained even more assiduously for the quadrennial Greater Panathenaia, which included a full programme of athletic events, with the added edge that they were expected to compete in the Panathenaic Stadium, gymnos, naked. Of the three major festivals held during Hekatombaion, the most important was the Panathenaia, marking the birthday of Athena on the 28th with a pompe (procession), in which freeborn Athenians of both sexes progressed from the Dipylon Gate along the Panathenaic Way to the Agora and thence up through the Propylaia to the Altar of Athena on the Acropolis. They did not go to the gym after the event to assuage their guilt about the excesses of the preceding festive season but beforehand in order to look their best for the forthcoming celebrations. For one, the Athenian New Year began on the first new moon after the summer solstice, during the month of Hekatombaion (June/July), in midsummer, not midwinter. One cannot help but feel, however, that the ancient Greeks had things much better organised than we do. The male citizens of classical Athens (sixth to fourth centuries BC) would have thronged the city’s three public gymnasia – the Akademia (Academy), Lykeion (Lyceum) and Kinosarges (Cynosarges) – around the new year. The New Year’s resolution to join a gym is nothing new. “Back then we did a lot of dope,” is how Tony Iommi prefaces his explanation of the origins of The Wizard, the hard-driving second track on Sabbath’s debut, inspired equally by Tolkien and the band’s “magic” drug dealer. The film was shit, the song is a Sabbath classic. The title track of vocalist Ronnie James Dio’s second album with Sabbath, a cautionary tale about blindly accepting authority, was written in John Lennon’s house Tittenhurst Park, originally intended for the soundtrack to the animated film Heavy Metal, just days after Lennon’s murder in New York. Ozzy later noted that the hash the band were smoking at Morgan Studios during the album sessions was “phenomenal”. The mid-song ejaculation to ‘ Smoke it! Get high!’ gives a clue as to the source material for this anxious song about a soul adrift in a world of ‘pain, suffering and misery’. Ferociously funky, with a ear-worm Iommi riff, Supernaut is the supercharged sound of a gifted band at the peak of their powers. “When I listen to songs like Supernaut I can just about taste cocaine,” Ozzy noted of this Vol. Loaded with stark, apocalyptic imagery of nuclear annihilation (‘ Robot minds of robot slaves/Lead men to atomic graves’) and souls burning in hell, Electric Funeral sounds like the ultimate bad trip, although the funky turnaround at two minutes 17 seconds is inexplicably uplifting. Secretly I wanted to be a drummer so I could play that funky drum lick in Hand Of Doom.” Charlie Starr, Blackberry Smoke I got a cassette of Paranoid from a friend when I was in seventh grade, and started, like everyone else, to learn all those amazing riffs. It’s like two songs for the price of one, really. “It’s funky, riffy, sinister and uplifting all at the same time. Included on Paranoid “to make the heavier tracks sound heavier”, according to the guitarist.įeaturing a mocking anti-religious lyric from lapsed Catholic Geezer, the romping After Forever is one of the most musically sophisticated songs in Sabbath’s early canon, and is a result of the quartet feeling the pressure to follow-up the No.1 success of Paranoid with a more ambitious sound. Twinkling, tripped-out psychedelia, that betrayed Tony Iommi’s jazz influences. Rick Wakeman charged Sabbath a ‘fee’ of two pints of Director’s bitter for his incandescent piano playing. This bluesy paean to Geezer’s then-girlfriend had its lyrical origins in Ozzy repeating porno dialogue, to his bandmate’s amusement. Out of their heads they may have been, but the interplay between Iommi, Butler and a brilliantly dextrous Bill Ward is pure joy. 4 telegraphs Sabbath’s experimental mind-set. Inspired by a magazine headline, Black Sabbath's 2013 comeback found Ozzy musing upon the existence of a higher power in the wake of terrorist atrocities committed in the name of religion. It’s also the last one out on the record – an honorary spot, as everybody into vinyl knows.” - Mikael Åkerfeldt, Opeth “It’s a beautiful piece of music, mostly based around Ozzy’s voice, Iommi’s acoustic guitar and Will Malone’s string arrangements. ‘ There’s no escaping the power of Satan’, sang Tony Martin, making a convincing case for Sabbath entering the 90s as a band reborn. The title track from Sabbath’s 14th album Headless Cross, and their finest since Heaven And Hell. For the closing track of Technical Ecstasy, inspiration came from the prostitutes on the streets of Miami, resulting in a ‘tribute’ to the healing properties of ‘take away women for sale’. “I got a song out of it at least,” a more chilled Ozzy reflected later.īy 1976 Black Sabbath were in search of direction. Ozzy’s acerbic open letter to former manager Patrick Meehan (‘ Are you Satan, are you man?’), venting the singer’s fury at the legal “bullshit”. |
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